Nekrasov's poem "I do not like your irony ..." stands out from the list of the main topics on which the poet wrote. This is an intimate lyric that tells about the relationship between Nikolai Alekseevich himself and his beloved Avdotya Yakovlevna Panaeva at that time.
The verse was written in 1850, five years after the beginning of the poet's close relationship with Avdotya. Around this period, the first sprouts of cooling appeared in their relationship, which Nekrasov writes about. The poem became available to the general public in 1855, when it was published in Sovremennik.
Main idea and theme
The main theme of Nekrasov's verse is the emergence of love in the past, its gradual dying in the present and the vision of complete cooling in the not so distant future. This is the story of two loving and beloved people who appreciate and cherish what is between them, but who came to the conclusion that the relationship has entered the stage of extinction and can be stopped.
At the beginning of the work, the author admits to the rejection of irony on the part of his beloved. Such an attitude of the beloved to what he is doing, the hero refers to signs of withering of feelings and asks not to behave like this, because irony is the lot of those who have already experienced a period of vivid attraction. He asks his beloved to prolong the feelings and passion that still exist in the relationship.
The second part of the verse is a clear demonstration of the behavior of the hero's beloved and his own feelings. She is gentle and shy on dates, she still wants them to last longer. He is full of zealous feelings and still burns with them. He asks his beloved not to bring the end of their relationship closer.
And, despite the requests, he already clearly sees the end, what is discussed in the third part of the work. And that is the culmination of the whole message. Emotions in the two of them, according to the hero, are boiling, but differently than at the beginning of the relationship. Now they are trying to quench the need for them, as if thirsty, greedily swallowing the remaining feelings. Meanwhile, in the heart there is already a growing longing and coldness of the future alienation.
Structural analysis
The lyric poem "I do not like your irony ..." consists of three stanzas, each with five lines. The rhymes used by the author violate the seemingly strictly defined order, and, thereby, once again emphasize the conflicting feelings that are also present in the soul of the poet. Contrasts opposing each other reinforce the impression. Passions boil in the heroes of the poem, but there is a secret coldness in the heart.
In the first stanza, Nekrasov uses a ring rhyme, in the second he uses a cross rhyme, and in the third he turns to a mixed one. In his stanzas, Nekrasov skips the stresses, thereby conveying the excitement to the reader.
Emotional coloring is also very contrasting. A number of experienced feelings, Nikolai Alekseevich describes tenderly and romantically: “ardently loved”, “shyly and tenderly”, “full of thirst”. There is also a negative in the stanzas - these are “jealous anxieties”, “denouement of the inevitable”, “secret coldness”.
Conclusion
In his work, the author sought to convey to the reader the idea that two loving people who gradually came to the verge of parting, when the first calls about the cooling of feelings appeared, should not rush to a final decision or draw hasty conclusions.
Avdotya was the wife of a friend of the writer Ivan Panaev, these two people side by side revived the contemporary magazine. In 1847, Panaev and his wife and Nekrasov began to live together, the husband recognized their love and allowed her to live in a civil marriage. Although this connection embarrassed them, they were so close to each other that they put up with such a life. Relations between people were not so prosperous, they had quarrels, when for a certain time the couple even cooled off towards each other.
Poem "I don't like your irony"
This work is written in intimate lyrics, it is included in the Panaevsky cycle of Nekrasov's life. It talks about love relationships and describes in detail the reasons for the changes and other variations in communication between the characters. The verse tells about the development of love relationships, as well as all sorts of troubles in them, the fading and complete cooling of feelings between the characters.The main idea of this work is love, then that this is real life. Such a warm feeling must be cherished and taken care of, because if you show some kind of weakness, you can lose love and feelings will simply fade away. The poem itself tells the author's appeal to his beloved. The reason for telling this story was the mockery of her beloved and her irony towards the author.
If we analyze the verse, then it should be noted in the first stanza that the lyrical hero acknowledges that, nevertheless, his feelings are fading, that once crazy and bright love turns from warm to cold. The irony here is provided for those people who have never loved or have already lost their love.
The second stanza describes the current state of the couple's relationship. Now the woman is a little shy and at the same time very gently shows a desire to extend the date, and jealousy, anxiety and dreams can be traced in the heart of the hero himself. What follows is a suggestion that the ultimate denouement will still be the extinction of love. In the last stanza, the hero no longer harbors illusions. He knows that it is pointless to hope for a relationship to continue. Therefore, the end of this whole love story will serve as scandals and conflicts, and that in this situation the heart has already grown cold towards each other.
Trails, images
In the verse, there is a confrontation between cold and hot, boiling and icing. Love here is described by many metaphors: "those who loved passionately, jealous anxieties and dreams boil, boil stronger, full of last thirst." There are also many metaphors of indifference in the verses, for example, "anguish of the heart." The author compares the feelings that are preceded by cooling with a river that begins to rage in autumn more strongly, although it is already cold.
Thus, the unequal feelings should be noted here, they are distinguished by both cold and warmth. The river will rage for a while. But in the end it will still freeze. Also in the work there is an unfinished thought, this can be judged by the ellipsis, which is left at the end of the verse. For the sake of the attention of his beloved, the author compares their feelings with a raging river.
Also in the poem are pronounced epithets, which are of no small importance. They appear in negative colors: "jealous anxieties and dreams, the last thirst, the inevitable denouement, secret coldness." They are also opposed by other epithets already in a positive coloring: “to those who loved passionately, you wish shyly and tenderly, they boil rebelliously.” In the lines of the action of lyrical heroes, the author means it as love, but it is accompanied by a state in which they are deprived of feelings.
Size, rhyme
These two designations are presented in a very unusual light in the poem. The meter is in iambic pentameter, but there are a lot of pyrrhias here, so the rhythm goes astray, you can compare it with a person who speaks, but is very worried, so he cannot even out his breathing. This effect is very clearly seen in the last line of the first stanza.
In the poem, each stanza consists of five lines, but the rhyme is different. So in the first stanza she is in the form of a ring. In the second part it is crossed, and the third alternates between the last and adjacent. Such disorder can be compared with the internal state of the lyrical hero. In general, we can say that the rhyme here differs to a large extent, even if we compare male and female.
Basic moments
The poem "I do not like your irony" forms a single lyrical diary, which displays the shades of feelings of the hero himself. The work itself refers to love lyrics and reflects a certain moment in the life of a person in love. Here are all his experiences, anxiety, so there is no specific event and history, but only a description of feelings. The poem begins without an overture: I don't like your irony
Leave her obsolete and not alive
And you and I, who loved so dearly,
Still the rest of the feeling preserved -
It's too early for us to indulge in it!
After that, the reader is presented with the dynamics of all anxieties and experiences that lead to discord in the life of a hero in love, the denouement creeps up quietly, but it will be inevitable:
While still shy and gentle
Do you want to extend the date?
While still seething in me rebelliously
Jealous worries and dreams -
Don't rush the inevitable denouement.
In the second stanza, emotionality is greatly facilitated by the anaphora. So a significant emotional load in the text puts the repetition of two lines in the text. Also, the parallelism with the word "while" increases and each sentence enhances expressiveness. In the climactic stanza, the lyrical hero denotes his relationship with his beloved as seething and boiling, which leads to complete extinction:
So in autumn the river is more turbulent,
But the raging waves are colder ...
This poem very accurately conveys the whole process of the hero's mental life, where the notes of confession are traced. Readers know Nekrasov as a people's sufferer who follows the people and tries to show the public the tragedy of the situation. However, in this poem, the author is presented in a completely different light, so many critics have compared Nekrasov with Pushkin.
Analysis Details
Like many writers, Nekrasov was no exception and wrote his own poem about love, which he did quite well. The author dedicated this verse to his love, here Nekrasov described all his feelings and experiences. It is based on the moment when the hot feelings of crazy love at a certain moment cool down and completely disappear. Everything shows that this factor significantly influenced the hero and brought him a lot of torment. Here he recalls with great tenderness the old days when they loved each other passionately, but there are many contradictions. In this poem, it seems that the hero, with the last hope, calls on his beloved to hear him. The author understands that completely different feelings are already arising and describes the consequences that may come. Here the hero rebels against the word irony, which arose between two loving hearts. Such a feeling, according to the author, can arise only at the very end of a relationship. It is his position and thoughts that the author expresses on behalf of the hero, who, in turn, describes the great role of understanding and sincerity between the heroine herself and him.
So the character compares his feelings to a fire that burns and is ready to burn everything around. However, the loving lady no longer feels this, and she has only a remnant of this sincerity left. The hero also understands that in all this there is his fault, it was for him that love cooled down and ceased to be so hot. Then comes the culminating moment in the last stanza, where it is described that only fading boiling is left of love, and in the very heart there is a cold with longing. A poem using iambic pentameter uses feminine and masculine endings. This work is very typical for Nekrasov, it helps to recognize him from a completely different perspective.
I do not like your irony analysis of Nekrasov's poem according to plan
1. History of creation. The work "I do not like your irony" (1850) N. dedicated to his common-law wife - A. Panaeva. Probably, due to the deep intimacy, the poem was published only in 1855 (the magazine Sovremennik).
2. Genre of the poem- love lyrics.
3. Main theme works - the inevitable extinction of love feelings. Nekrasov lived with his beloved and her lawful husband, Ivan Panaev. This strange "love triangle" endlessly surprised and shocked Petersburg society. The poet was openly laughed at. Nekrasov was very worried about his uncertain position. He understood that in this form relations with Panaeva could not be strong.
The poet often had fits of furious jealousy, leading to quarrels and scandals. Panaeva treated Nekrasov's torment with irony, as stated in the very title of the poem. The poet imploringly urges his beloved not to forget about her past passion ("who loved so dearly"). For him, the memory of a happy past remains the key to continuing the relationship.
Nekrasov feels that not all is lost. Beloved behaves "shyly and gently", as if on a very first date. The soul of the poet himself is overwhelmed with "jealous anxieties and dreams." At the same time, the author understands that very soon the strange couple will still have to part. His only request to his beloved is to delay the "inevitable denouement" for as long as possible.
The lyrical hero compares the fading love with the "last thirst". Behind the stormy manifestation of sensual passion, there is a "secret coldness and longing" in the hearts. The poet uses an even more vivid image - an autumn stormy river with icy water.
4. Composition of the poem consistent.
5. The size of the work- iambic pentameter with broken rhythm. Rhyming is mixed: ring, cross and adjacent.
6. Expressive means. The suffering of the lyrical hero is emphasized by negative epithets: "jealous", "inevitable", "last". They are opposed by epithets in the form of adverbs: "hotly", "shyly and tenderly". The whole work as a whole is built on the opposition: "obsolete and unlived" - "loved", "dreams" - "denouement", "turbulent river" - "colder ... waves".
Significant emotional tension is contained in metaphors (“anxieties and dreams are boiling”, “last thirst”) and comparison of love with a stormy river. The first two stanzas are a direct appeal of the lyrical hero to his beloved woman ("leave her", "you wish").
The deeply personal nature of this address is reinforced by exclamations. In the last stanza, the author comes to terms with the future "inevitable denouement". Prayers are replaced by a sad summing up. The dots resemble the forced pauses between the sobs of the lyrical hero.
7. Main idea poems - love, unfortunately, is not eternal. Even the strongest passion will cool over the years. Anticipating parting, lovers should take advantage of every minute of the feeling that gradually burns out.
“I don’t like your irony ...” Nikolai Nekrasov
I don't like your irony.
Leave her obsolete and not alive
And you and I, who loved so dearly,
Still the rest of the feeling preserved, -
It's too early for us to indulge in it!While still shy and gentle
Do you want to extend the date?
While still seething in me rebelliously
Jealous worries and dreams -
Do not rush the inevitable denouement!And without that, she is not far away:
We boil stronger, full of last thirst,
But in the heart of a secret coldness and longing ...
So in autumn the river is more turbulent,
But the raging waves are colder ...
Analysis of Nekrasov's poem "I do not like your irony ..."
In 1842, Nikolai Nekrasov met Avdotya Panaeva, the wife of the writer, in whose house writers often gathered. This woman, possessing not only a journalistic gift, but also an outstanding appearance, literally captivated the aspiring poet. However, many regulars of the literary salon fell victim to Panaeva's charms, but only Nekrasov she reciprocated.
This romance lasted for almost 20 years, bringing a lot of suffering not only to the lovers, but also to the wife of Panaeva. He was forced to become not only a member of the love triangle, but also lived under the same roof with his wife and her chosen one. However, after the death of a child who was born to Panaeva from Nekrasov in 1849, relations between lovers began to cool.
In 1850, realizing that a breakup was inevitable, Nekrasov created the poem "I do not like your irony ...", dedicated to the relationship with the chosen one. He notes that he once had very tender feelings for this woman, who was no less in love with the poet. However, time can not only smooth out hatred, but also destroy love. This is exactly what, according to Nekrasov, happened after the death of the baby, as if some invisible thread connecting two people broke. The poet realizes that love has not yet completely died out, noting: “For the time being, you wish to prolong the date shyly and tenderly.” But all the signs of the upcoming separation have already shown themselves, and the author understands that no one can turn back time. He asks his chosen one for only one thing: "Do not rush the inevitable denouement!"
There is no doubt that it will come soon, although Nekrasov notes that both of them are still "full of the last thirst." But the irony of the beloved, which the poet does not like so much, indicates better than any words that this novel will very soon end in parting, because "a secret coldness and longing" settled in the heart after the death of his son.
True, Nikolai Nekrasov tried with all his might to save this controversial union, so it broke up only in the early 60s. Moreover, this happened contrary to the expectations of the poet, who expected that the death of her husband Panaeva would force her to reconsider her views on the relationship with the poet. However, this woman did not associate her future life with Nekrasov, deciding to remain free and no longer marry, which the poet counted on so much. As a result, the couple broke up, which was predicted by the author, who in the depths of his soul hoped that Panaeva would still marry him.
Nekrasov's poetry is distinguished by the desire to ennoble the soul and revive a good beginning in the soul of every reader. This desire was most clearly reflected in the poet's lyrics dedicated to true friends and beloved women.
In 1842, the poet Nekrasov met Avdotya Panaeva, the wife of the poet's friend, writer Ivan Panaev, with whom he revived the Sovremennik magazine. The first meeting between Avdotya and Nikolai took place in her house, where literary figures often gathered in the evenings.
The poet fell in love with a woman at first sight: he was struck not only by her attractive appearance, but also by her special achievements in journalism. Panaeva accepted signs of attention from Nekrasov and a stormy romance began. And since 1847, Avdotya, her husband and Nekrasov began to live under the same roof. Ivan himself agreed that his friend was the common-law husband of his lawful wife and lived with them in the same house. So Ivan wanted to save the marriage, believing that this relationship would not last long. However, Panaev turned out to be wrong in this: Nekrasov's romance with Avdotya lasted almost twenty years. But the relationship between the lovers was not smooth, they often cursed. As a result, the novel did not end with a legal union. The break in relations occurred after the death of a child born to Avdotya from a poet.
In 1850, Nekrasov realized that it was impossible to return the ardor of past relationships. As a result of a long painful novel for everyone, he writes the poem "I do not like your irony." In it, the poet noted that he had previously tortured amazing feelings for one woman. The passion for her was also intensified by the certainty that his chosen one loved the poet just as much. But time is ready not only to create, but also to destroy. It can destroy love.
Nekrasov believes that this happened after the death of their common child. It seems that the death of the baby broke the invisible thread between the lovers, and they began to move away from each other. But the poet understands that love still has not completely died out, but everything around says that separation is inevitably on the threshold. The hero asks his chosen one only to hurry this minute. He does not like the irony of his beloved, because she says better than any confession that the novel will soon come to an end.
This poem is built on contrasts. The image of love is created using a metaphor that compares feelings with a boiling stream. Indeed, in reality, the relationship between Panaeva and Nekrasov flared up sharply, seethed and, having exhausted itself, cooled down, as if all the water had poured out of a boiling vessel, and it was empty.
The poem has a logical conclusion even without a short ending, before which the author put an ellipsis. The comparison of love with the river is the last proof that the poet brought to try to reach an understanding of the chosen one.
An important role is played here by epithets, such as, for example, "jealous anxieties." Each of them has a negative rating. In contrast, they are given positive epithets, such as, for example, “you tenderly wish.” Such a neighborhood hints at the constant mood swings of a couple in love.
Nekrasov sees the actions of a man and a woman as an active manifestation of love, but the poet considers the state of mind described by the words “anxiety”, “thirst” to be without the desired feeling.
It is worth paying attention to the unusual rhythm and rhyme. The poem is written in iambic pentameter. However, there are so many pyrrhic here that the rhythm is lost, as if an overly worried man is out of breath. This feeling is reinforced by the short final line at the beginning.
Nekrasov is a master of words. In just fifteen lines, he managed to tell the reader the love story of two people who lost it, confusing a high feeling with base passions.
In addition to socially oriented poetry, in the soul of N. A. Nekrasov there was always a place for feelings of personal order. He loved and was loved. This was reflected in a group of poems that are commonly called the "Panaev cycle". An example would be the poem "I do not like your irony ...". The analysis will be given below, but for now let's briefly get acquainted with his lyrical heroine.
Avdotya Panaeva
A charming, intelligent woman whom her parents hastily married off because the girl strove for emancipation with all her heart. She imitated aspired to put on men's clothes and - oh, horror! - Painted on a mustache! They married the journalist Ivan Panaev, who was not distinguished by fidelity and did not hamper the freedom of his wife.
A brilliant literary society gathered in their salon, and every single one was in love with the beautiful and clever Avdotya Yakovlevna. But she answered, far from immediately, only to the crazy, crazy feelings of Nikolai Alekseevich, who, not knowing how to swim, drowned himself in front of her eyes in the Fontanka. Thus began a great feeling that lasted about twenty years. But everything comes to an end. And when the feelings began to cool down, Nikolai Alekseevich wrote: "I do not like your irony ...". The analysis of the poem will be carried out according to plan.
History of creation
Presumably, it was written already five years after the beginning of a close relationship in 1850, and published in Sovremennik in 1855. What could serve to cool such violent feelings? After all, A. Ya. Panaeva herself wrote poems about them. Let's try to reflect on the lines of Nikolai Alekseevich "I do not like your irony ...", the analysis of which is part of our task.
Genre of the poem
This is the intimate lyrics of a great civil poet.
The work tells about the feelings that have arisen in the past tense, about their state and the inevitable denouement and the alleged break in the present tense. Apparently, their relationship became habitual and monotonous and did not provide such abundant food for inspiration as civil poetry. Therefore, irony began to appear in the relationship on the part of Avdotya Yakovlevna, which only aggravated the coldness on the part of Nekrasov. This is how the poem “I don’t like your irony ...” appeared, the analysis of which we begin. But the poet must be given his due, he directly and delicately told his chosen one what it was in her behavior that he did not like, hiding nothing.
The theme was the emergence of love, its gradual dying and complete cooling.
The main idea is that love must be carefully cherished, since this feeling is rare and not given to everyone.
Composition
ON THE. Nekrasov divided into three stanzas "I do not like your irony ...". The analysis of the poem, we, of course, will begin with the first.
The lyrical hero addresses directly and simply to a close woman and asks to stop being ironic in conversations with him. Apparently, the sharp-tongued Avdotya Yakovlevna could not restrain herself when something was not to her liking, when she saw in something a disrespectful or inattentive attitude towards herself. According to the lyrical hero, irony should belong only to those who have experienced their inclinations or have never met them. And in both of them, who loved so passionately, there are still tongues of the flame of love, and they warm the soul. It is too early for them to indulge in irony: they must carefully preserve what they have today.
In the second stanza of the poem "I do not like your irony ..." Nekrasov (we are now analyzing) shows the behavior of his beloved woman. She still seeks to prolong their dates "shyly and affectionately."
She, very feminine, is still devoted to him in her heart and cannot live without these meetings. And he? He is full of passion. The lyrical hero is still hot and ardent, "jealous dreams" boil rebelliously in him. Therefore, he asks not to be ironic and not to speed up the denouement. All the same, she will inevitably come to them, but let the beautiful relationship last longer.
The third stanza is quite sad. The poet does not hide either from himself or from his beloved that their parting will come soon. Their passions boil more and more. They are full of the last thirst for love, but "there is a secret coldness and longing in the heart." The lyrical hero bitterly states this fact. But you can't hide from him. Therefore, it is not worth ironically to destroy the former beautiful and languishing, tender passion.
Irony, which initially contains mockery, offends the lyrical hero, which is why he says: “I don’t like your irony ...”. An analysis of the poem shows the hidden context of Avdotya Yakovlevna's statements and the direct sincere words of the lyrical hero. He calls on his lady of the heart not to demonstrate his negative position with or without reason, but to express sympathy and understanding to him.
Analysis of the verse "I do not like your irony ..."
The poem is written in iambic pentameter, but there are a lot of omissions of stresses (pyrrhic). They convey to the reader the excitement of the poet. For example, the first line in the first stanza begins with a pyrrhic, and it ends with it, while it is underlined with an exclamation point.
Each stanza consists of five lines, but the rhymes in each stanza are different. The poet uses ring (first stanza), cross (second stanza), mixed (third). The inner confusion of the lyrical hero is fully manifested in this way.
The poem is built on contrasts. It contrasts cold and hot, boiling and glaciation. Metaphorically, love is compared to a raging river, "but the raging waves are colder ...".
After these final lines there is a meaningful ellipsis. The river seethes, but it will freeze anyway, and the cold binds them both, "who loved passionately." The former relationship, seething with tenderness and passion, is metaphorically opposed to “secret coldness and longing”.
Epithets have a negative connotation: the inevitable denouement, jealous anxieties, the last thirst. Others, on the contrary, are colored positively: feelings are "rebelliously" seething, the beloved is waiting for a date "shyly and tenderly."
Epilogue
Nekrasov and Panaeva broke up. Then her husband died, then she lived alone, and after that she happily married and gave birth to a child. However, the poet loved Panaeva and, despite his marriage, dedicated his poems (“Three Elegies”) to her and mentioned in his will.
The poem “I do not like your irony” is part of the “Panaev cycle”. This is Nekrasov's love letter to his beloved woman, with whom at some point he had a big quarrel. A brief analysis of “I don’t like your irony” according to the plan can become part of a literature lesson in grade 9 and help the student better understand the poet as a person.
Brief analysis
History of creation- the poem “I do not like your irony” was created in 1850 (presumably), and published only five years later, in 1855 in Sovremennik. A year later (in 1856) Nekrasov included him in his poetry collection.
Theme of the poem- the fading and cooling of feelings as a natural stage in the development of relations between lovers.
Composition- each stanza is part of a description of a sad situation in a relationship, the action develops sequentially.
Genre- love lyrics
Poetic size- iambic and pyrrhic, each stanza uses its own rhyme.
Metaphors – “passionately loved”, “jealous anxieties and dreams boil”, “we boil stronger”, “full of the last thirst”, “secret coldness and anguish of the heart”.
epithets – “jealous anxieties”, “inevitable denouement”, “last thirst”, “secret coldness”.
Comparison
History of creation
Nekrasov's relationship with Avdotya Panaeva has never been easy. In fact, the couple lived in a civil marriage with the consent of the woman's husband, the frivolous ladies' man Ivan Panaev. The romance between them began in 1846, and the poem “I don’t like your irony” was written in 1850 - they would be together for another sixteen years, but Nekrasov already had a premonition of the end.
For the first time this poem saw the light in 1855 - it was published in the journal Sovremennik, which the poet owned together with Ivan Panaev. In 1856, Nekrasov published a poetry collection, which included this work.
It fully reflects the essence of the uneven relationship of lovers: despite the mutual feeling, the relationship outside of marriage greatly burdened them, and the difficult nature of Avdotya became a catalyst for frequent quarrels. Nekrasov describes one of these situations in poetic form - they always sorted out the relationship violently, and temporary cooling of relations happened, but it was this moment that showed the poet that their love would someday end.
Subject
The main theme of the verse is a quarrel between lovers, when their relationship has developed to the stage that feelings gradually begin to fade away, and the once-boiling passion cools down.
At the same time, Nekrasov expresses the idea that only love can give a person a real taste for life, so it must be protected and done especially carefully when the first signs of extinction appear. The lyrical hero expresses this thought, referring to his beloved, who, obviously, made some offensive remark about him.
Composition
The poem consists of three stanzas, each of which expresses its own thought, but all of them are part of a consistently unfolding idea.
So, in the first stanza, the lyrical hero admits that there is no longer the former fire in the mutual feeling, but he believes that this is not a reason to be ironic, because love is still alive, which means that it can be saved.
In the second stanza, this idea develops - both the man and the woman want to be together, but both already understand that the inevitable outcome of their story will be the fading of relations.
The third stanza shows that the lyrical hero has ceased to believe that the relationship can still be extended, he understands that conflicts and scandals are inevitable signs that the cold of a break is already very close.
Genre
This work belongs to the genre of intimate lyrics. It is part of what literary critics call the “Panaev cycle”, in which Nekrasov addresses the theme of feelings.
In addition, Nekrasov uses an unusual and innovative technique for his time in the rhythmic pattern of the verse. Despite the fact that the work is written in iambic, it very often breaks into pyrrhic, which makes the rhythm look like the breathing of an excited person - torn and uneven.
The effect is enhanced by rhyming - the ring stanza is replaced by a cross one, and in the last stanza the cross one is mixed with an adjacent one. Such disorder fully reflects the inner rebellion of the lyrical hero.
means of expression
In order to convey the feelings of the lyrical hero, the poet uses a variety of expressive means:
- Metaphors- “those who loved ardently”, “jealous anxieties and dreams boil”, “we boil stronger”, “are full of last thirst”, “secret coldness and anguish of the heart”.
- epithets- “jealous anxiety”, “inevitable denouement”, “last thirst”, “secret coldness”.
- Comparison- feelings before parting are like an autumn river: the most turbulent waters flow before it freezes.
In 1842, Nikolai Nekrasov met Avdotya Panaeva, the wife of the writer, in whose house writers often gathered. This woman, possessing not only a journalistic gift, but also an outstanding appearance, literally captivated the aspiring poet. However, many regulars of the literary salon fell victim to Panaeva's charms, but only Nekrasov she reciprocated.
This romance lasted for almost 20 years, bringing a lot of suffering not only to the lovers, but also to the wife of Panaeva. He was forced to become not only a member of the love triangle, but also lived under the same roof with his wife and her chosen one. However, after the death of a child who was born to Panaeva from Nekrasov in 1849, relations between lovers began to cool.
In 1850, realizing that a breakup was inevitable, Nekrasov created a poem “I don’t like your irony ...”, dedicated to the relationship with the chosen one. He notes that he once had very tender feelings for this woman, who was no less in love with the poet. However, time can not only smooth out hatred, but also destroy love. This is exactly what, according to Nekrasov, happened after the death of the baby, as if some invisible thread connecting two people broke. The poet realizes that love has not yet died out completely, noting: “You still want to prolong the date shyly and tenderly.” But all the signs of the upcoming separation have already shown themselves, and the author understands that no one can turn back time. He asks his chosen one for only one thing: “Do not rush the inevitable denouement!”.
There is no doubt that it will come soon, although Nekrasov notes that both of them are still “full of the last thirst.” But the irony of the beloved, which the poet does not like so much, indicates better than any words that this novel will very soon end in parting, because “a secret coldness and longing” settled in the heart after the death of his son.
True, Nikolai Nekrasov tried with all his might to save this controversial union, so it broke up only in the early 60s. Moreover, this happened contrary to the expectations of the poet, who expected that the death of her husband Panaeva would force her to reconsider her views on the relationship with the poet. However, this woman did not associate her future life with Nekrasov, deciding to remain free and no longer marry, which the poet counted on so much. As a result, the couple broke up, which was predicted by the author, who in the depths of his soul hoped that Panaeva would still marry him.
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In addition to socially oriented poetry, in the soul of N. A. Nekrasov there was always a place for feelings of personal order. He loved and was loved. This was reflected in a group of poems that are commonly called the "Panaev cycle". An example would be the poem "I do not like your irony ...". The analysis will be given below, but for now let's briefly get acquainted with his lyrical heroine.
Avdotya Panaeva
A charming, intelligent woman whom her parents hastily married off because the girl strove for emancipation with all her heart. She imitated aspired to put on men's clothes and - oh, horror! - Painted on a mustache! They married the journalist Ivan Panaev, who was not distinguished by fidelity and did not hamper the freedom of his wife.
A brilliant literary society gathered in their salon, and every single one was in love with the beautiful and clever Avdotya Yakovlevna. But she answered, far from immediately, only to the crazy, crazy feelings of Nikolai Alekseevich, who, not knowing how to swim, drowned himself in front of her eyes in the Fontanka. Thus began a great feeling that lasted about twenty years. But everything comes to an end. And when the feelings began to cool down, Nikolai Alekseevich wrote: "I do not like your irony ...". The analysis of the poem will be carried out according to plan.
History of creation
Presumably, it was written already five years after the beginning of a close relationship in 1850, and published in Sovremennik in 1855. What could serve to cool such violent feelings? After all, A. Ya. Panaeva herself wrote poems about them. Let's try to reflect on the lines of Nikolai Alekseevich "I do not like your irony ...", the analysis of which is part of our task.
Genre of the poem
This is the intimate lyrics of a great civil poet.
The work tells about the feelings that have arisen in the past tense, about their state and the inevitable denouement and the alleged break in the present tense. Apparently, their relationship became habitual and monotonous and did not provide such abundant food for inspiration as civil poetry. Therefore, irony began to appear in the relationship on the part of Avdotya Yakovlevna, which only aggravated the coldness on the part of Nekrasov. This is how the poem “I don’t like your irony ...” appeared, the analysis of which we begin. But the poet must be given his due, he directly and delicately told his chosen one what it was in her behavior that he did not like, hiding nothing.
The theme was the emergence of love, its gradual dying and complete cooling.
The main idea is that love must be carefully cherished, since this feeling is rare and not given to everyone.
Composition
ON THE. Nekrasov divided into three stanzas "I do not like your irony ...". The analysis of the poem, we, of course, will begin with the first.
The lyrical hero addresses directly and simply to a close woman and asks to stop being ironic in conversations with him. Apparently, the sharp-tongued Avdotya Yakovlevna could not restrain herself when something was not to her liking, when she saw in something a disrespectful or inattentive attitude towards herself. According to the lyrical hero, irony should belong only to those who have experienced their inclinations or have never met them. And in both of them, who loved so passionately, there are still tongues of the flame of love, and they warm the soul. It is too early for them to indulge in irony: they must carefully preserve what they have today.
In the second stanza of the poem "I do not like your irony ..." Nekrasov (we are now analyzing) shows the behavior of his beloved woman. She still seeks to prolong their dates "shyly and affectionately."
She, very feminine, is still devoted to him in her heart and cannot live without these meetings. And he? He is full of passion. The lyrical hero is still hot and ardent, "jealous dreams" boil rebelliously in him. Therefore, he asks not to be ironic and not to speed up the denouement. All the same, she will inevitably come to them, but let the beautiful relationship last longer.
The third stanza is quite sad. The poet does not hide either from himself or from his beloved that their parting will come soon. Their passions boil more and more. They are full of the last thirst for love, but "there is a secret coldness and longing in the heart." The lyrical hero bitterly states this fact. But you can't hide from him. Therefore, it is not worth ironically to destroy the former beautiful and languishing, tender passion.
Irony, which initially contains mockery, offends the lyrical hero, which is why he says: “I don’t like your irony ...”. An analysis of the poem shows the hidden context of Avdotya Yakovlevna's statements and the direct sincere words of the lyrical hero. He calls on his lady of the heart not to demonstrate his negative position with or without reason, but to express sympathy and understanding to him.
Analysis of the verse "I do not like your irony ..."
The poem is written in iambic pentameter, but there are a lot of omissions of stresses (pyrrhic). They convey to the reader the excitement of the poet. For example, the first line in the first stanza begins with a pyrrhic, and it ends with it, while it is underlined with an exclamation point.
Each stanza consists of five lines, but the rhymes in each stanza are different. The poet uses ring (first stanza), cross (second stanza), mixed (third). The inner confusion of the lyrical hero is fully manifested in this way.
The poem is built on contrasts. It contrasts cold and hot, boiling and glaciation. Metaphorically, love is compared to a raging river, "but the raging waves are colder ...".
After these final lines there is a meaningful ellipsis. The river seethes, but it will freeze anyway, and the cold binds them both, "who loved passionately." The former relationship, seething with tenderness and passion, is metaphorically opposed to “secret coldness and longing”.
Epithets have a negative connotation: the inevitable denouement, jealous anxieties, the last thirst. Others, on the contrary, are colored positively: feelings are "rebelliously" seething, the beloved is waiting for a date "shyly and tenderly."
Epilogue
Nekrasov and Panaeva broke up. Then her husband died, then she lived alone, and after that she happily married and gave birth to a child. However, the poet loved Panaeva and, despite his marriage, dedicated his poems (“Three Elegies”) to her and mentioned in his will.
Nekrasov's poetry is distinguished by the desire to ennoble the soul and revive a good beginning in the soul of every reader. This desire was most clearly reflected in the poet's lyrics dedicated to true friends and beloved women.
In 1842, the poet Nekrasov met Avdotya Panaeva, the wife of the poet's friend, writer Ivan Panaev, with whom he revived the Sovremennik magazine. The first meeting between Avdotya and Nikolai took place in her house, where literary figures often gathered in the evenings.
The poet fell in love with a woman at first sight: he was struck not only by her attractive appearance, but also by her special achievements in journalism. Panaeva accepted signs of attention from Nekrasov and a stormy romance began. And since 1847, Avdotya, her husband and Nekrasov began to live under the same roof. Ivan himself agreed that his friend was the common-law husband of his lawful wife and lived with them in the same house. So Ivan wanted to save the marriage, believing that this relationship would not last long. However, Panaev turned out to be wrong in this: Nekrasov's romance with Avdotya lasted almost twenty years. But the relationship between the lovers was not smooth, they often cursed. As a result, the novel did not end with a legal union. The break in relations occurred after the death of a child born to Avdotya from a poet.
In 1850, Nekrasov realized that it was impossible to return the ardor of past relationships. As a result of a long painful novel for everyone, he writes the poem "I do not like your irony." In it, the poet noted that he had previously tortured amazing feelings for one woman. The passion for her was also intensified by the certainty that his chosen one loved the poet just as much. But time is ready not only to create, but also to destroy. It can destroy love.
Nekrasov believes that this happened after the death of their common child. It seems that the death of the baby broke the invisible thread between the lovers, and they began to move away from each other. But the poet understands that love still has not completely died out, but everything around says that separation is inevitably on the threshold. The hero asks his chosen one only to hurry this minute. He does not like the irony of his beloved, because she says better than any confession that the novel will soon come to an end.
This poem is built on contrasts. The image of love is created using a metaphor that compares feelings with a boiling stream. Indeed, in reality, the relationship between Panaeva and Nekrasov flared up sharply, seethed and, having exhausted itself, cooled down, as if all the water had poured out of a boiling vessel, and it was empty.
The poem has a logical conclusion even without a short ending, before which the author put an ellipsis. The comparison of love with the river is the last proof that the poet brought to try to reach an understanding of the chosen one.
An important role is played here by epithets, such as, for example, "jealous anxieties." Each of them has a negative rating. In contrast, they are given positive epithets, such as, for example, “you tenderly wish.” Such a neighborhood hints at the constant mood swings of a couple in love.
Nekrasov sees the actions of a man and a woman as an active manifestation of love, but the poet considers the state of mind described by the words “anxiety”, “thirst” to be without the desired feeling.
It is worth paying attention to the unusual rhythm and rhyme. The poem is written in iambic pentameter. However, there are so many pyrrhic here that the rhythm is lost, as if an overly worried man is out of breath. This feeling is reinforced by the short final line at the beginning.
Nekrasov is a master of words. In just fifteen lines, he managed to tell the reader the love story of two people who lost it, confusing a high feeling with base passions.
N. Nekrasov, like V. Mayakovsky, is considered by many to be only a "political" poet, a fighter for the civil rights of ordinary people. But even if a dispute can arise about the poetic meaning of Nekrasov's "civilian" poems, then the disagreements are significantly smoothed out and sometimes even disappear when it comes to Nekrasov as ethics and lyrics.
I don't like your irony.
Leave her obsolete and not alive
And you and I, who loved so passionately... The fierce singer of grief and suffering completely transformed, became surprisingly tender, soft, and gentle, as soon as it came to women and children.
While still shy and gentle
Do you want to extend the date?
While still seething in me rebelliously
Jealous worries and dreams -
Do not rush the inevitable denouement!
Nekrasov's lyricism arose on the fertile soil of the burning and strong passions that owned him, and the sincere consciousness of his moral imperfection. To a certain extent, it was his "guilts" that saved the living soul in Nekrasov, about which he often spoke, referring to the portraits of friends who "reproachfully from the walls" looked at him. His moral shortcomings gave him a living and immediate source of impulsive love and a thirst for purification. The strength of Nekrasov's appeals is psychologically explained by what he did in moments of sincere repentance. Who forced him to speak with such force about his moral falls, why did he have to expose himself from a disadvantageous side? But obviously it was stronger than him. The poet felt that repentance evokes the best pearls from the bottom of his soul, and surrendered himself entirely to a spiritual impulse.
We boil stronger, full of last thirst,
But in the heart there is a secret coldness and longing...
So in autumn the river is more turbulent,
But the raging waves are colder...
The power of feeling causes an enduring interest in Nekrasov's lyrical poems - and these poems, along with poems, for a long time provided him with a paramount place in Russian literature. Now his accusatory satires are outdated, but from Nekrasov's lyrical poems and poems one can compose a volume of highly artistic merit, the significance of which will not die as long as the Russian language is alive.
Avdotya Yakovlevna Panaeva
The purpose of poetry is the elevation of the human soul. The poetry of N.A. Nekrasov is marked precisely by this desire to ennoble the soul and to awaken good feelings in the reader.
Speaking about the topics of poetry N.A. Nekrasov, it should be noted that along with works of a civil orientation, he also has poems that are distinguished by a special emotional coloring. These are poems dedicated to friends, women. These include the poem "I do not like your irony ...".
This poem was probably written in 1850. By that time, difficult times had come for the Sovremennik magazine, which Nekrasov was engaged in publishing. Shortly before this, a wave of revolutionary uprisings took place in Europe, which contributed to the strengthening of censorship in the Russian Empire. Severe restrictions on the part of the authorities led to the fact that the release of the next issue of the Sovremennik magazine was in jeopardy. Nekrasov found a way out of the critical situation by suggesting that Avdotya Yakovlevna Panova jointly write a novel that, by its content, would not cause discontent among the censors. The publication of this novel on the pages of Sovremennik could save the magazine from commercial collapse. Panaeva agreed to this proposal and took an active part in the work on the novel, which was called "Dead Lake".
Work on the novel brought Nekrasov and Panaeva very close, new motives appeared in their relationship. Any joint creative work, as well as life in general, includes both moments of joy and delight, as well as moments of grief and misunderstanding. In one of the moments of mental confusion, Nekrasov writes a poem "I do not like your irony ...", addressed to A.Ya. Panaeva. The main theme of this poem is the relationship between two people, a man and a woman, who still cherish each other, but are already close to breaking off the relationship.
The work is written in the form of a lyrical hero addressing his girlfriend. Compositionally, the poem “I don’t like your irony ...” is conditionally divided into three semantic parts, three five-verse lines. In the first part of the poem, the lyrical hero characterizes the relationship between two close people and shows how complex these relationships are. He heartily says that mutual feelings have not yet faded completely and concludes that it is too early to indulge in mutual irony. In the second part of the poem, the lyrical hero urges his girlfriend not to rush to break off relations, knowing full well that she still wants to continue meetings, and he himself is in the grip of jealous anxieties and dreams. In the final part of the poem, the optimistic mood of the lyrical hero comes to naught. He is clearly aware that, despite the outward activity of their relationship with his girlfriend, a spiritual coldness is growing in his heart. The poem ends with an ellipsis, showing that the lyrical hero still hopes to continue the conversation on a topic that is so exciting for him.
N.A. Nekrasov’s poem “I don’t like your irony ...” stands out significantly among his other works as an excellent example of intellectual poetry. This is a work about people who are well aware of life, for whom a high level of relationships is characteristic. Being on the verge of parting, they only feel sad and allow themselves to use only irony as a means of reproach towards each other.
The main idea of \u200b\u200bthe poem “I don’t like your irony” is that for people whose relationships are on the verge of parting, it is very important not to draw hasty conclusions and not rush to rash decisions.
Analyzing this poem, it should be noted that it is written in iambic pentameter. Nekrasov rarely used two-syllable meters in his work, but in this case, the use of iambic pentameter is justified. This choice of the author gives the effect of free sounding of the verse and enhances its lyrical mood. In addition, iambic pentameter makes the line longer, encouraging readers to think about the content of the work.
The novelty and originality of the poem lay in the fact that Nekrasov used five-line stanzas with constantly changing rhyme schemes. In the first stanza, a ring rhyming scheme (abba) is implemented, in the second - a cross (ababa), and in the third - a mixed scheme, including both elements of a ring and cross rhyming schemes (abaab). Such a choice of rhyming schemes creates a feeling of lively colloquial speech, at the same time preserving the melodiousness and melodiousness of the sound.
The means of artistic expression used by Nekrasov in this lyrical work include such epithets as “inevitable denouement”, “full of thirst”, “raging river”, “raging waves”, which well convey the mood of the lyrical hero. The author also uses metaphors: “ardently loved”, “jealous anxieties”. An important place in the poem is occupied by exclamations that convey the degree of excitement of the lyrical hero: “It is too early for us to indulge in it!”, “Do not rush the inevitable denouement!”.
Not bypassed attention and such an element of artistic expression as allegory. Speaking about the mutual feelings of two people who still love each other, the author compares these feelings with a river that becomes turbulent in autumn, but its waters become colder.
My attitude to the poem "I do not like your irony ..." is as follows. Nekrasov cannot be attributed to the authors - singers of beauty and love - but he felt love itself subtly. The poet's zone of experiences is activated in the poem, his life impressions are reflected in it. He treats cooling in relations without reproaches and edifications, philosophically. The feelings of the poet are masterfully conveyed.
I don't like your irony.
Leave her obsolete and not alive
And you and I, who loved so dearly,
Still the rest of the feeling preserved, -
It's too early for us to indulge in it!While still shy and gentle
Do you want to extend the date?
While still seething in me rebelliously
Jealous worries and dreams -
Do not rush the inevitable denouement!And without that, she is not far away:
We boil stronger, full of last thirst,
But in the heart of a secret coldness and longing ...
So in autumn the river is more turbulent,
But the raging waves are colder ...
Analysis of Nekrasov's poem "I do not like your irony ..."
In 1842, Nikolai Nekrasov met Avdotya Panaeva, the wife of the writer, in whose house writers often gathered. This woman, possessing not only a journalistic gift, but also an outstanding appearance, literally captivated the aspiring poet. However, many regulars of the literary salon fell victim to Panaeva's charms, but only Nekrasov she reciprocated.
This romance lasted for almost 20 years, bringing a lot of suffering not only to the lovers, but also to the wife of Panaeva. He was forced to become not only a member of the love triangle, but also lived under the same roof with his wife and her chosen one. However, after the death of a child who was born to Panaeva from Nekrasov in 1849, relations between lovers began to cool.
In 1850, realizing that a breakup was inevitable, Nekrasov created the poem "I do not like your irony ...", dedicated to the relationship with the chosen one. He notes that he once had very tender feelings for this woman, who was no less in love with the poet. However, time can not only smooth out hatred, but also destroy love. This is exactly what, according to Nekrasov, happened after the death of the baby, as if some invisible thread connecting two people broke. The poet realizes that love has not yet completely died out, noting: “For the time being, you wish to prolong the date shyly and tenderly.” But all the signs of the upcoming separation have already shown themselves, and the author understands that no one can turn back time. He asks his chosen one for only one thing: "Do not rush the inevitable denouement!"
There is no doubt that it will come soon, although Nekrasov notes that both of them are still "full of the last thirst." But the irony of the beloved, which the poet does not like so much, indicates better than any words that this novel will very soon end in parting, because "a secret coldness and longing" settled in the heart after the death of his son.
True, Nikolai Nekrasov tried with all his might to save this controversial union, so it broke up only in the early 60s. Moreover, this happened contrary to the expectations of the poet, who expected that the death of her husband Panaeva would force her to reconsider her views on the relationship with the poet. However, this woman did not associate her future life with Nekrasov, deciding to remain free and no longer marry, which the poet counted on so much. As a result, the couple broke up, which was predicted by the author, who in the depths of his soul hoped that Panaeva would still marry him.